Poetry is a universal art and holds a special place in the lives and minds of so many. Now, thanks to the work of Flying Islands publishing, poetry has become much more accessible and portable. The physical size of their new releases really makes them adaptable and ‘travel size’.
In Sea Skins by Sophia Wilson, the poetry effortlessly flows in a mixture of poignant verse, wonderful narratives, and deeply moving evocations of life.
Split into five sections, Wilson spans the world of poetic construction and demonstrates linguistic beauty and development. Largely introspective in nature, Wilson gives the reader a treasure trove of visual imagery and detail. Her language choices give one the sense of almost floating above the words and yet delving into the topics covered with dart-like precision.
The range of poetic styles is also a notable factor to the collection. From blank verse to blanked-out words, structural concepts to free verse, there is something in this selection that will appease even the fussiest of poetry aficionados.
As with all poetry, some speak louder to the individual reader than others. Of note is Waiting at St Clair where the wildness of the waves, and the popular promenade take centre stage.
He leans on her, and his stick
She steers him away from rusty rails, roaring water
And open drains, keeps to a safe line beside the curb
…
Beyond the promenade, a headland crouches
poised to plunge
(Waiting at St Clair by Sophia Wilson)
It is easy to see the strength and power of the natural world when examined through the poetry of Sophia Wilson. Her recognition of New Zealand’s unique environment and celebration of the aspects of our country that make us an ecological safe haven for so many vital creatures.
There is no doubt that Wilson’s strength is her vocabulary choice. The range of her word choice makes the reader feel connected to the poems and the messaging.
A truly enjoyable read for all.
Reviewer: Chris Reed
Flying Islands Press